Project 562
2012 - Present
To capture the spirit and essence of her portrait sitters, Matika spends several hours or even days with a participant, often even residing in their homes. She honors traditional potlatch protocol, bringing gifts to honor traditional trade culture, and shares songs and prayers. Sitters choose their portrait locations, most frequently geographically remote reservations, but also urban settings. An oral history accompanies each portrait, capturing the subject’s unique experience, and fully bringing an individual to life. These relationships and approaches reveal an intimacy in her portraits unlike popular street photography or classic journalism, an approach Matika describes as “an indigenous photography method.”
We Are One People
Photographic essays capturing the essence of contemporary Native American elders from Coast Salish Tribes.
We Emerge
A black and white photographic exhibit that addresses the complex existence of contemporary Native America, the stereotypical depictions of Native Peoples and our struggles with constant duality and defining self-identity.
All Alone
2012, Tacoma Art Museum
Addressing the forced cultural assimilation of Natives from 1880 to 1980.
iHuman
River House Arts Gallery, 2013
A mixed medium exhibit of contemporary photography interwoven with sacred Coast Salish cedar: this collection represents the inherent cultural duality that Native people live amongst.